Daniel Oppido

Daniel Oppido moved to Brighton to study Fine Art Sculpture at the University of Brighton and, since graduating in 2017, has found a deep passion for printmaking—specifically, linocut.

Though shifting from sculpture to a two-dimensional medium may seem unexpected, the artist sees the carving process as inherently sculptural. The precision and pressure of cutting into the lino are both a challenge and a thrill, where every mark is permanent and each decision is final. The limitations of the medium—where the only choices are to carve or not—mirror the sculptor’s approach to form, requiring careful balance between positive and negative space.

Architecture and animals are recurring themes in their work, reflecting a fascination with the contrast between the built environment and the natural world. More recently, their artistic style has evolved toward a more illustration-based approach, allowing for greater creative freedom beyond direct representation. Through linocut, [Artist’s Name] continues to explore new ways of translating vision into print, always seeking the perfect balance of detail, composition, and expression.